K-pop is an extremely competitive genre, a small country with a population of merely 50 million people produces new artists literally almost every day. The industry is like a ruthless stepmother: once you make a serious mistake, it might cost you your career and more. Career ups and downs are normal in an artist’s life but in K-pop, once you reached the lowest part, it is very difficult to climb up the mountain again. Ultimate K-pop Survival Guide will be a short series on artists who have managed to turn their failing career from point zero back again or who had gone through a lot of hardships and still managed to remain successful. Not only rookie artists but we, the audience, can also learn a lot from them.
Avoid them as if they were lepers
The first installment of the series is dedicated to perhaps the biggest survivors of the dark side of K-pop:JYJ. Everyone knows what they have been through, but it doesn’t hurt to summarize and focus on how they actually managed to cope with the situation.
For the uninitiated: once there had been an idol band we can possibly call one of the greatest successes of K-pop ever: Dong Bang Shin Ki, or by their English abbreviation, TVXQ. The five-member boyband, consisting of Jaejoong, Yunho, Yoochun, Junsu and Changmin, was among the first successful wave of K-pop to set foot in Japan, and with blood and tears, they worked their way up the ladder, from performing to a mere handful of fans to filling the 50,000 seat Tokyo Dome in rows. Their fandom, Cassiopeia, was certified by the Guinness Book of Records for being the largest official fan club in the world. They reached unimaginable heights in Asia, thus their break-up was probably one of the biggest shocking events ever to shake the world of K-pop. Not because boybands are supposed to last forever, but because they were at the height of their careers and were known to be close to each other. When the news broke out that Jaejoong, Yoochun and Junsu started a lawsuit against their agency S.M. Entertainment, to nullify their 13-year contract, at first everyone hoped there could be a settlement but in October 2009 the Seoul court ruled in favour of JYJ, and as a result, the Fair Trade Commission started advocating the use of ‘model contracts’ to prevent agencies from having artists sign excessive deals.
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